El Mzekke Broummana – The monastery of St Isaiah

Saint Isaiah (Mar Shaaya), Jouret El Ballout, Lebanon

Other Details

دير مار شعيا

Broummana El-Matn

Metn

Mount Lebanon

دير مار شعيا - المزكه برمانا سنة 1673 قام المطران جبرايل البلوزاني رئيس أساقفة حلب (البطريرك لاحقًا) بتأسيس حركة رهبانيّة تتبع قانون مار أنطونيوس الكبير وهدفها تبشير الدروز. سنة 1698 أُرسلت مجموعة من الرهبان لتأسيس ديرٍ في برمانا هم: سليمان الحجّة المشمشاني، وعطالله كريكر الشبابي، وموسى زمّار البعبداتي. فاشتروا أنقاض ديرٍ قديمٍ على تلّة بجوار برمانا. سنة 1700 بدأ الرهبان الأنطونيون تأسيس ديرٍ جديدٍ على اسم مار شعيا الراهب الحلبيّ. أصبح الدّير الدّير الأم للرهبانيّة الأنطونيّة الناشئة التي ثبّتها البابا أقليمنضوس الثاني عشر سنة 1740. إرتبط الأنطونيّون بدير التأسيس لدرجة أنّهم أصبحوا يتكنّون برهبان مار شعيا. أصبح الدير جسر علاقة بين الرهبانيّة وحكّام الجبل، أمراءِ آل أبي اللمع وآل شهاب الموحِّدّين ما حدا بأفرادٍ من الأسرتَين الكبيرتَين اعتناقَ الإيمانِ الكاثوليكي ونشره في مناطقَ متنيّة. تعاقبت الحروب على الدير وتركت بصماتِها الهدّامة من أحداث ١٨٤٠ و١٨٦٠، إلى الحرب العالميّة الأولى، وقد كانتِ الأشرس، فدمّر الجيش العثمانيّ الدير وأحرق مكتبته. رُمّم الدّير على مراحل عديدة وأُعيد بناؤه. كنيسة الدّير كناية عن عقدٍ مُصالبٍ ينتهي بحنية نصف دائريّة. تتميّز الكنيسة بخورسها الخشبيّ بين المذبح والسوق الرئيسيّ.كذلك تحوي الكنيسة أرغن الموسيقار الكبير الأب يوسف الأشقر أحد روّاد الموسيقى الكنسيّة المارونيّة. كذلك تحوي لوحة مار شعيا التي تعود لعام 1907، وجداريّة خلف المذبح من عمل الرسّام أسعد رنّو. The monastery of St Isaiah - El Mzekke Broummana In 1673 the archbishop of Aleppo Mgr. Gebrayel el Blouzany (later Patriarch), started a monastic movement according to the Rule of St Anthony the great, with the aim of evangelizing the Druze. In 1698 a small group of monks were sent to start a monastery in Broummana: Sleiman Hajje from Meshmesh, Atallah Kreiker from Beit Chabab, Moussa el Zemmar from Baabdat. In 1700 the monks bought the ruins of an old monastery on a hill in the vicinity of Broummana. The monastery was dedicated to St Isaiah the Aleppan monk, and the monastery became the motherhouse of the new order that was recognized by Pope Clement XII in 1740. The monks became commonly known as the monks of St Isaiah. The monastery became a mission hub and many Druze were converted by the monks, it was noted that many princes from the families of Shehab and Abi el Llamah became Maronites and helped spreading the catholic faith in the Metn region. The monastery suffered greatly during the wars of 1840 and 1860, it was severely damaged during World War I and its great library was burnt down. Yet it was always restored and rebuilt. The monastery's church is a crossed vault ending with a semi circular apse. The nave and the sanctuary are separated by wooden choir stalls. The church holds the organ of Fr. Boulos el Ashkar a pioneer in Maronite ecclesiastical music, a painting of St Isaiah from 1907 and a fresco of the saint by Assaad Renno.

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كنيسة مار جرجس

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The church of St George - Qartaba

It is the church of El Tahta street, built as a private chapel for the family of Moufarrej Geryes in the late XIXth century. The painting is the work of Kanaan Dib from Dlebta in 1873.

Hardine – Saint God’s grace (Neamtallah)

House and the Church of St. God's grace (Neamtallah) Hardini Lebanese Maronite Order, Hardine, Lebanon

بيت وكنيسة القديس نعمة الله الحرديني

Hardine

Batroun

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Hardine’s name is derived from the Syriac language meaning ‘pious’, Witness of justice, Ardent in faith and Square of religion.

It is located about 1100m. above sea level. A large area of very thick forests surrounds it and the following ruins of its inveterate past decorate its mountain terraces:

-The «rocky tile of Hardine» with its marine fossils and its unique length of 350 m along a slope to the west and its width of nearly l00m. Some one said, «The three most beautiful in Mount Lebanon are the valley of Kannoubine, The Palace of Beit Eddine and the tile of Hardine».

–The Temple of God Mercury With 30 majestic pillars built according to the rare ionic style. This temple known as «the roman Palace of Hardine». It’s a really fantastic one; it goes back to the time of Emperor Hadrian Augustus (117-137 A.D).

-“St Fawka’s” monastery (6th century)

-“Patriarchal monastery” since the Maronites came to Lebanon, known as “St. Sergios Alkarn”.

-“St John Alchakf” monastery, since the days of the Crusaders.

-“St Taqla” church in Beit Kassab square. It was the father of St Hardidni, who first started its renovation in the 19th Century.

-The church and hermitage of “St Stephan” in a hollow in a light rock over the Plain of Al Jawz River.

-The ruins of “St Richa’s” monastery, where the Syriac Diocese was moved between 1384 and 1598.

-The hermitages of “St Joseph”, “Ste Anne”, “St Ephram” the Syriac, “St Jacob Jesus’ brother” and “the pottery monastery” in the hollows of Kfarshira, and “the Lady of the Castle” in the hollow of the water spring.

-The Church of “St. Georges and Edna” which is distinguished Christian inscriptions (fish and cross).

-The churches of “St Elias”, “St Challita and Nohra” in the hollows engraved in the rocks, the old parish churches, like “St. Sergios and Bacchus” (rebui1t in 1932). “the Lady of deliverance” (rebuilt in 1948). The current one is St. Shayna” (1844), and finally the church of “St. Tadros” with its maronite alter, The two rebuilt churches of “St. Antonios of Padova” (1907), “St. Thomas” (1950) and the church of “Ste Theresa of the Baby Jesus” (1946).

-The monastery of St. Hardini» built with the donations of the people from Hardine in Lebanon and all over the world.

– Hardine is the hometown of one of Lebanon’s four saints, Saint Nimatullah Hardini (1808-58) who was canonised by Roman Catholic Pope John Paul II in 2004.


The village is naturally protected by the valleys and the rocky mountains around it making it an ideal place for the then new religion (Christianity) to flourish.

Legend has it that in 270AD, a Roman official imprisoned his daughter in Hardine for converting to Christianity. She converted many others in Hardine to the Christian faith.

Abeydat – The hermitage of St Simeon the stylite in Wadi al-Bouwayli’e

Aabeidat, Lebanon

محبسة مار سمعان العاموديّ وادي البواليع

Aabaydat

Jbeil

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محبسة مار سمعان العاموديّ وادي البواليع - عبيدات

المحبسة عبارة عن تَجوِيفٍ مَحفُورٍ فِي الصَّخر، بِدَاخِله صُوَرٌ جُدرَانِيَّةٌ تعود إِلى القَرن الثَّاني عَشَر. مِن بَينِ هِﺬهِ الجُدرَانِيّات رَسمُ الشفاعة، وَكِتَابَةٌ سِرَيَانِيَّةٌ لَم يَبقَ منهَا وَمِن الرُّسُومِ إلّا القَلِيل بِسَبَب عَوَامِل الطَّبِيعَة وَجَهل الإِنسَان. يَتمُّ الصُعُودُ إِلَى غُرَفِ الدَّير بِوَاسِطة سَلَالِم خَشَبِيَّةٍ وَأُخرَى حَدِيدِيَّةٍ مُستَحدَثَةٍ.تُجَاوِرُ دَيرَ مَار سِمعَان كَنِيسَة مَارت مُورَا، وَهِيَ عِبَارَةٌ عَن نَقرٍ في الصَخرِ.بحسب الخبراء جداريّات عبيدات تعودُ لراسم جداريّات كنيسة مار تادرس بحديدات.

The hermitage of St Simeon the stylite in Wadi al-Bouwayli'e - 'Abeydat

The monastery is a hollowed-out cavity in the rock, containing frescoes dating back to the XIIth century. Among these wall paintings is the depiction of the deisis, as well as Syriac inscriptions, of which only a few remain due to natural factors and human ignorance. Access to the monastery's chambers is achieved through newly installed wooden and iron ladders. Adjacent to the Mar Simeon monastery is the St Moura's Church, which is a carved cave in the rock. According to experts, the wall paintings in 'Abeydat belong to the same artist who painted the wall paintings in the Mar Tadros Church in Behadidat. La Ermita de San Simeón el estilita en Wadi al-Bouwayli'e - 'Abeydat El monasterio es una cavidad excavada en la roca, que contiene frescos que datan del siglo XII. Entre estas pinturas murales se encuentra la representación de la deisis, así como inscripciones siríacas, de las cuales, debido a factores naturales y la ignorancia humana, solo quedan unas pocas. Para acceder a las cámaras del monasterio se utilizan las escaleras de hierro y madera recién instaladas. Colindante al monasterio de San Simeon se encuentra la iglesia de San Moura, que es una cueva tallada en la roca. Según los expertos, las pinturas murales de 'Abeydat pertenecen al mismo artista que pintó las pinturas murales de la iglesia de San Tadros en Behadidat.